Cois Meyer

Welcome to a selection of my salt prints. I am employed in the financial services industry and am based in Johannesburg, South Africa. Photography has always been a hobby. I enjoyed playing around in a traditional darkroom but have reluctantly  made the journey to digital. For some reason I still enjoy the old way of doing things - it just seems more "real" hence my fascination with making salt prints. You are welcome to e-mail me at

  

What are Salt Prints?

Salt Prints are made by exposing normal paper treated with salt and silver nitrate masked by a negative to ultra violet light. The process was developed by Henry Fox Talbolt during 1833. It was the first process that could be used to transfer a negative as positive to paper.

  

Why Salt Prints?

Salt Prints have a unique feeling to them. The image appears to be, and is, inside the paper rather than being printed on a gelatin layer covering the surface of the paper. Thus the print is 100% flat. I enjoy doing something the way it was done back in 1833. The print is "real" as opposed to having been created on a printer within a few seconds.

  

No two copies are exactly the same even when printed from the same negative. They may come close to being identical but seldom are, due to small variances in the penetration achieved when salting and painting the paper with silver nitrate, and also differences in the ultra violet radiation present in sunlight at the time of making the print. This is part of the joy of creating a hand crafted product.

  

Selecting Paper

300GSM (140lbs) paper seems to work fine. I like the following:

1. Waterford 300GSM hot pressed. (English paper)

2. Arches 300GSM. (French paper)

3. Fabriano 300GSM NOT. (Italian paper)

4. Bockingford 300GSM NOT. (English paper)

  

 Making a salt print in 16 steps.

Salt prints are not difficult to make. It is time consuming and you need to use quality materials and follow the proper steps.

1. Take a digital picture. (Not authentic 1833 technology)

2. Print a negative image on a digital printer. Salt prints are made as contact prints. Thus the negative has to be the same size as the printed image. I prefer 8" x 10". (Not authentic 1833 technology. From here on further authentic 1833 technology.)

3. Select and cut quality paper to the proper size.

4. Immerse the paper in a 2% salt water solution.

5. Allow to dry.

6. Paint paper evenly with 12% silver nitrate solution in a darkened room. The brush should not contain any metal parts.

7. Allow to dry in a darkened room. The paper is now sensitive to ultra violet light.

8. Mask the paper wit a negative and expose to sunlight for +/- 3 minutes. The silver salt converts to metallic silver creating an image.

9. In a darkened room wash the paper under running water for 5 minutes to wash out any unexposed silver salt.

10. In a darkened room "fix" the image by immersing in a 10% sodium thiosulphate solution for 3 minutes.

11. Briefly wash under running water.

12. Still in a darkened room, fix again in 10% sodium thiosulphate solution for 3 minutes.

13. Briefly wash under running water.

14. Immerse in a 1% sodium sulphate solution for 5 minutes to neutralise any traces of sulphur left after fixing.

15. Wash under running water for 30 minutes to wash away all remaining chemicals.

16. Allow to dry.

  

Blog

Each salt print is a unique piece of art work, due more to the process followed than to the fact that I made them. You are welcome to leave a comment on my blog at www.coismeyer.blogspot.com

For more on salt prints visit

www.alternativephotography.com

www.non-silver.com

www.artfinder.com/tag/salt-print/

  

© Cois Meyer 2011

© 2011 Cois Meyer

     Salt Prints by Cois Meyer